Long days; loading and unloading the coach several times a day; gigs in cramped venues; setting up and dismantling a drum kit five or six times a day; outdoor performances in cold and/or windy conditions perhaps with rain threatening; meals at funny times; and performing without the chance to test the acoustic are all in a day’s work for the Nevis Ensemble. 

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It’s now almost a year since I was picked up by Street Orchestra Live (SOL) for my first experience touring with a pop-up orchestra, as a last-minute addition to their summer tour of the North-East of England. I had no real idea of what I had signed up for, but as soon as the first performance was underway, I was hooked, and I could tell that this was something different.

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